Related Paintings of unknow artist :. | Still life floral, all kinds of reality flowers oil painting 270 | Arab or Arabic people and life. Orientalism oil paintings 437 | Alexander durchschlagt den gordischen Knoten | Floral, beautiful classical still life of flowers.104 | Arab or Arabic people and life. Orientalism oil paintings 232 |
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Antonio Cavallucci
(21 August 1752 - 18 November 1795) was an Italian painter of the late Baroque. Cavallucci was born in Sermoneta in the Lazio. His artistic talents were recognized in an early stage by Francesco Caetani, Duke of Sermoneta in 1738-1810. In 1765, he brought the 13 year old Cavallucci to Rome, where he became a pupil of Stefano Pozzi and three years later of Gaetano Lapis. He also studied drawing at the Accademia di San Luca (c. 1769-1771). His earliest work dates from the mid-1760s. It is a tempera frieze in the Casa Cavallucci in Sermoneta. His first portrait was of his benefactor Duke Francesco Caetani. This portrait is only preserved as an engraving in 1772 by Pietro Leone Bombelli (1737-1809). His first major commission was the decoration of five audience chambers in the Caetani Palace in Rome in 1776. He painted mythological scenes and allegories appropriate for each room. In the early 1780s he painted mostly portraits, such as those of Francesco Caetani and Teresa Corsini, Duchess of Sermoneta. The Origin of Music (1786) is probably the most important painting of his mid-career. It was based on the illustrations in the book Iconologia (1593) from Cesare Ripa. The commissions kept coming under his new patron, Cardinal Romualdo Braschi-Onesti (1753-1817), nephew of the pope Pius VI. He has painted the portraits of his new benefactor and of the pope in 1788. He was inducted into the Accademia di San Luca in 1786, Academy of Arcadia in 1788, and the Congregazione dei Virtuosi al Pantheon in 1788. He is said to have painted St Benedict Joseph Labre while the saint was in ecstasy, or (as is perhaps more plausible), having seen the saint in ecstasy, to have brought him to his studio and painted his portrait there. In later years he worked for Cardinal Francesco Saverio Zelada, decorating his titular church San Martino ai Monti in Rome. Cavallucci died in Rome in 1795. He was influenced by Pompeo Batoni and Anton Raphael Mengs. There is in his art some of the northern European feeling that had made its way into Rome at the end of the eighteenth century. The Portuguese painter Domingos Sequeira was one of his pupils.
William Strutt
English Painter, ca.1825-1915 was an English artist. Strutt was born in Teignmouth, Devon, England, and came from a family of artists, his grandfather, Joseph Strutt, was a well-known author and artist, his father, William Thomas Strutt, was a good miniature painter. William Strutt enjoyed a student life in Paris, France, and England, studying figurative and history painting. In response to a near-breakdown and problems with his eyes, Strutt decided to visit Australia, arriving 5 July 1850 on the Culloden, where he then married. In Melbourne, Strutt found employment as an illustrator on the short-lived Illustrated Australian Magazine, published by Thomas Ham, as there was little demand for the figurative and history paintings for which he was trained. Some of his designs did, however, lead to commissions, including a design for a new postage stamp, and an Anti-Transportation League card. Despite the lack of interest for major history paintings in Melbourne, Strutt continued to sketch suitable subjects, including the "Black Thursday" bushfires, which swept over the colony on 6 February 1851. It was from these sketches that Strutt composed one of his most notable paintings some 10 years later, Black Thursday, February 6th. 1851, 1864, which depicted animals and men fleeing from the fire. In February 1852, Strutt joined the growing tide of men travelling to the gold-fields surrounding Ballarat, Victoria. Despite working in the gold fields for eighteen months he found little success. He returned to Melbourne in mid-1853 and became actively involved in the city's cultural scene, undertaking a number of portrait commissions and joining the Victorian Society of Fine Arts as a founding member. William Strutt, Portrait of John Pascoe Fawkner, founder of Melbourne, 1856: oil on canvas; 61.3 x 51.2 cm. National Library of Australia.Strutt's interest in depicting the notable events of the colony was piqued by the events surrounding the Victorian Exploring Expedition led by Burke and Wills in 1860-61. He made several studies of their preparations at Royal Park, Melbourne, and followed the expedition to its first camp at Essendon, Victoria. Strutt also collected first-hand accounts from the rescue party and from John King,
Joseph wright of derby
1734-97 English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794).